I’ve come across a novel called The Palm-Wine Drinkard, by the Nigerian writer Amos Tutuola, that is really remarkable because it is a kind of fantasy of West African mythology all told in West African English which, of course, is not the same as standard English.
WILLIAM GOLDINGI’m scared of him,” said Piggy, “and that’s why I know him. If you’re scared of someone you hate him but you can’t stop thinking about him. You kid yourself he’s all right really, an’ then when you see him again; it’s like asthma an’ you can’t breathe.
More William Golding Quotes
-
-
Which is better — to be a pack of painted Indians like you are, or to be sensible like Ralph is? Which is better — to have rules and agree, or to hunt and kill? Which is better, law and rescue, or hunting and breaking things up?
WILLIAM GOLDING -
Which is better, law and rescue, or hunting and breaking things up?
WILLIAM GOLDING -
It may be — I hope it is — redemption to guess and perhaps perceive that the universe, the hell which we see for all its beauty, vastness, majesty, is only part of a whole which is quite unimaginable.
WILLIAM GOLDING -
I am by nature an optimist and by intellectual conviction a pessimist.
WILLIAM GOLDING -
The mask was a thing on it’s own, behind which Jack hid, liberated from shame and self-conciousness.
WILLIAM GOLDING -
Of the authors writing in English, I’d mention Shakespeare and Milton. But all this is terribly high-hat and makes me sound very po-faced, I’m afraid; however, I just happen to like these enormous, swinging, great creatures.
WILLIAM GOLDING -
Which is better–to have laws and agree, or to hunt and kill?
WILLIAM GOLDING -
If faces were different when lit from above or below — what was a face? What was anything?
WILLIAM GOLDING -
The skull regarded Ralph like one who knows all the answers and won’t tell.
WILLIAM GOLDING -
To be in a world which is a hell, to be of that world and neither to believe in or guess at anything but that world is not merely hell but the only possible damnation: the act of a man damning himself. It may be
WILLIAM GOLDING -
However you disguise novels, they are always biographies.
WILLIAM GOLDING -
I will tell you what man is. He is a freak, an ejected foetus robbed of his natural development, thrown out into the world with a naked covering of parchment, with too little room for his teeth and a soft bulging skull like a bubble. But nature stirs a pudding there.
WILLIAM GOLDING -
Language fits over experience like a straight-jacket.
WILLIAM GOLDING -
He lost himself in a maze of thoughts that were rendered vague by his lack of words to express them. Frowning, he tried again.
WILLIAM GOLDING -
If I blow the conch and they don’t come back; then we’ve had it. We shan’t keep the fire going. We’ll be like animals. We’ll never be rescued.” “If you don’t blow, we’ll soon be animals anyway.
WILLIAM GOLDING -
The candle-buds opened their wide white flowers….Their scent spilled out into the air and took possession of the island.
WILLIAM GOLDING -
I began to see what people were capable of doing. Anyone who moved through those years without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head.
WILLIAM GOLDING -
They walked along, two continents of experience and feeling unable to communicate.
WILLIAM GOLDING -
I don’t think they [contemporary writers] read me either. I mean, if we’re concerned genuinely with writing, I think we probably get on with our work.
WILLIAM GOLDING -
Even if you got rid of paper, you would still have story-tellers. In fact, you had the story-tellers before you had the paper.
WILLIAM GOLDING -
I am here; and here is nowhere in particular.
WILLIAM GOLDING -
Only one novel is a novel: that is a successful novel.
WILLIAM GOLDING -
It wasn’t until I was 37 that I grasped the great truth that you’ve got to write your own books and nobody else’s, and then everything followed from there.
WILLIAM GOLDING -
The greatest pleasure is not – say – sex or geometry. It is just understanding. And if you can get people to understand their own humanity – well, that’s the job of the writer.
WILLIAM GOLDING -
There’s a kinship among men who have sat by a dying fire and measured the worth of their life by it.
WILLIAM GOLDING -
An orotundity, which I define as Nobelitis a pomposity in which one is treated as representative of more than oneself by someone conscious of representing more than himself.
WILLIAM GOLDING