My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
Any film that you see is never just the director. If it’s a film that you love, it’s not so easy to say, “Oh it’s directed by this person – that means everything that person directs is going be wonderful.”
If I’m on set and I’m in character, I’m not thinking like a producer. If I’m on set and I’m not in character, wardrobe and make-up, and I’m just coming on set for the moments that I’m not shooting, then I’m able to be the producer.
The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends, I’d be thinking about going back to set on Monday just to see the baby.
