“With age, you get to a place where you don’t want to knock people out. You just want to give people a hug.”

It’s like you have a child and you think, ‘Everything that I’ve done up until this point is insignificant in comparison to being a father.’ It’s a beautiful, beautiful thing.

Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.

You get a timeless cool card in New York.

Of course, I don’t act in an extreme fashion in my day to day life. I don’t think any of us live do. I think we all have that reserve somewhere and we pull upon it when we need it.

I grew up with all kinds of people.

It’s really bizarre because no one knows this, but elephants have killed more animal trainers than any other animal.

I was the oldest of the children in my family. I had to do a lot of diaper-changing and lunch-making. I was taking my little sister to ballet, picking up my brother, sort of being a super-nanny.

I started acting when I was seven-years-old. By the time I was 17 I would say: “If I’m not a star by the time I’m 18, I’ll get out of the business.”

I used to feel guilty about owning a console.

That’s what I love. I love thinking about the film, the project and committing myself as much as possible.

The whole year I was in LA I got into telemarketing and learned how to make money. Five years later that skill helped me make my first film.

I’m not disciplined enough to be a writer consistently. I write when I have to.

Deal-making goes on with any job.

I love women more than anything.

Choosing the car you drive is like choosing your wardrobe, maybe even more important.

A person in my position has to restrain himself.