My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
VIN DIESEL
My mother gave me this book called Feature Films at Used Car Prices by a guy named Rick Schmidt. I gotta credit the guy, cuz he gave me the most practical advice. It empowers you.
More Vin Diesel Quotes
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
VIN DIESEL -
I am flattered that they think that many people would enjoy my work. I don’t approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
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Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.
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It wasn’t until I went to college and I got my first motorcycle that I understood the thrill of speed.
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I’m a boy who appreciates a good body, regardless of the make.
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I’m an actor. I can do whatever I want. As an actor, not everything has to be the most obvious choice. And sometimes, the best thing you can do is to defy expectations.
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Choosing the car you drive is like choosing your wardrobe, maybe even more important.
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I enjoy playing a quintessential antihero. There’s something therapeutic about playing such characters. I know it sounds corny but I feel like I learn about myself when I play that characters.
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We’ve come a long way, from where we’ve been. I’ll tell you all about it when I see you again.
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I believe in paying special attention to every project that you do and supporting the projects you do.
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I grew up the son of an acting teacher but I’ve never been really good at articulating what that process is. It was always a bit more internal.
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The whole year I was in LA I got into telemarketing and learned how to make money. Five years later that skill helped me make my first film.
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I’ve turned down twentysomething million dollars for movies.
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I have dangerous bones in my body.
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The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft.
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I’m a perfectionist. I’m very critical, especially artistically.
VIN DIESEL