If you believe in the project, you have to support it.
VIN DIESELI can’t go white, Indian, Asian, Latin. For me, in my existence, if I’m anything, I’m inclusive of everyone, and we are just one, and I hope that global harmony is in all of us.
More Vin Diesel Quotes
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If I’m on set and I’m in character, I’m not thinking like a producer. If I’m on set and I’m not in character, wardrobe and make-up, and I’m just coming on set for the moments that I’m not shooting, then I’m able to be the producer.
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If it’s an amazing role, I’ll do anything.
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Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.
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I love thinking about the film, the project and committing myself as much as possible.
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I’m not really afraid of the dark, except if I’m walking. The thing that scares me the most is the possibility of walking into a wall and busting my lip.
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Rated R movies are few and far between, nowadays. We’re all seeing less and less rated R movies, and less and less of them are being made.
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I would love to do more science fiction. I always envisioned the Riddick franchise as a continuing mythology, so I always imagined that there would be many other films to follow.
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I’m a perfectionist. I’m very critical, especially artistically.
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I am flattered that they think that many people would enjoy my work. I don’t approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
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Deal-making goes on with any job.
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The films that I do are deep, introspective, brooding roles that you’re in this heavy headspace all the time.
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When people believe in you, you can do miraculous things.
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I’m not disciplined enough to be a writer consistently. I write when I have to.
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The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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