“There are plenty of good Indian writers in English, and none of us feel we are carrying the burden of being a poster boy.”

And the process of reading is such a private one. I once came into a room where a friend of mine was reading one of my books, and he clicked his tongue impatiently and shooed me off.

I often feel newspapers are just filling up space. Of course, I also know people who write really long books.

It is exciting to write about the present once one gets beyond the trivia of the moment. As a time to live in, as a time to think about, the present is intriguing.

Music, such music, is a sufficient gift. Why ask for happiness; why hope not to grieve? It is enough, it is to be blessed enough, to live from day to day and to hear such music-not too much, or the soul could not sustain it-from time to time.

I simply seem to drift. But I sort of allow the drift, because it has a kind of check – it forces me to work harder at what I’m interested in.

Is it not love that knows how to make smooth things rough and rough things smooth?

So many Indian novels, quite unfairly, do not get the prominence they should because they have been written in a language other than English.

I tend to follow a scattershot approach to reading a lot of very diverse subjects interest me, and I’m quite happy to read stuff on any of them.

I don’t think people give Indian society enough credit. We may not like to talk much about things but we do, basically, want to live and let live.

Put your backbone where your wishbone is.

You have to learn a few things, which you do along the way, but basically, poetry is a matter of the ear. Iambic pentameters or what constitutes a stanza comes naturally – your ears will know.

It’s not the gods But our own hearts We need to fear. The evil starts Against all odds Not there but here.

All you who sleep tonight Far from the ones you love, No hand to left or right, An emptiness above– Know that you aren’t alone. The whole world shares your tears, Some for two nights or one, And some for all your years.

I rarely listen to music while writing. If I don’t like it, it bothers me, and if I like it, it absorbs me so much I can’t write.

Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don’t have to bring the characters to life, but you do have to make them more convincing.

I certainly think its very important that writers as citizens – not necessarily as writers, but just as ordinary citizens – should talk about things that matter to them.

When I look at narcissism through the vulnerability lens, I see the shame-based fear of being ordinary. I see the fear of never feeling extraordinary enough to be noticed, to be lovable, to belong, or to cultivate a sense of purpose.

I feel a moral obligation to speak out at this key moment in human history – it is a moment for action.

I felt myself melting into the shadows like the negative of a person I’d never seen before in my life.

I always like going South; somehow, it feels like going downhill.

You have to go with your gut sometimes, and how you feel.

Nobody can understand what you’re feeling unless they burn the way you burned.

Where a man feels at home, outside of where he’s born, is where he’s meant to go.

We recognize that all knowledge is mediated through the body and that feeling is a profound source of information about our lives.