I do think I know more about clothes than any 500 designers, because there’s nothing like wearing them. You buy them, you study them, and you start to understand how they’re crafted.
VERA WANGI wanted to breathe new life into the timeless trend of past, present and future. These unique designs celebrate the bride and groom’s passage through their new life together.
More Vera Wang Quotes
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My mother was extremely controlled, sort of flawless. And I always tend to be a bit more hippie.
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All those years of skating and dancing have carried over. I can’t design anything without thinking of how a woman’s body will look and move when she’s wearing it.
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I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
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I want people to see the dress, but focus on the woman.
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As the mother of two daughters, I have great respect for women. And I don’t ever want to lose that.
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One thing about skating that I don’t think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it’s not the right music it can ruin a performance.
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I am not the sort of woman who would wear high heels with a bathing suit. Let’s get that straight right now.
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Ready-to-wear is what I’ve wanted to do since the beginning. I’m not a girl who spends my life in a ballgown
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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I started at the very highest level so the upper end is something I know very well. I know it instinctively. But all the years I was designing, it frustrated me that I could reach so few women.
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Bridal is always about who you are as a person and as a woman and as a lover and as a mate. People always ask me how a woman can pick just one dress. And the funny thing is they always know.
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It’s hard to juggle being a businessperson with being a creative person. You have to organize yourself – PR needs me for PR, and the licensing division needs me for licensing, the bridal people need me for bridal.
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I like the gritty parts of fashion, the design, the studio, the pictures.
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All I did my first year at Vogue was Xerox.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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