My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don’t often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.
VERA WANGI’ve been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too – what I should wear.
More Vera Wang Quotes
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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I do think I know more about clothes than any 500 designers, because there’s nothing like wearing them. You buy them, you study them, and you start to understand how they’re crafted.
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It’s a remarkable exercise to sit and look at your own work over the years.
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I always see where I didn’t do things the right way. I only see the heavy lifting. That’s a bit of my wisdom, if you want to call it that.
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I’m only waiting for Lindsay Lohan’s fashion collection to come out. Ten years from now, there may be no real designers left.
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Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one’s head as a designer.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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The great thing about having a pool in L.A. is that I can use it year-round. And since I’ve always been an athlete, staying fit is very important.
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New York for me is about work. If L.A. were to become a West Coast version of that, I’d shoot myself. The climate, the lifestyle – it really fits as the yin to my New York yang.
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A bride should look at everything she possibly can…just so she can experiment and see what makes her really feel beautiful or glamorous or classical or whatever she desires to be on that particular day.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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Success isn’t about the end result; it’s about what you learn along the way.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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In the dream world of Matisse and the gritty reality of American frontier, the diversity of women in our society offers the chance for greater exploration and even greater inspiration.
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I’ve always tried to push myself technically and to push myself visually. That’s been part of the journey.
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