The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
SEAMUS HEANEYIn poetry, everything can be faked but the intensity of utterance.
More Seamus Heaney Quotes
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I’m a firm believer in learning by heart.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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Anyone born and bred in Northern Ireland can’t be too optimistic.
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Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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I credit poetry for making this space-walk possible.
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Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
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The poet is on the side of undeceiving the world.
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You can have Irish identity in the north and also have your Irish passport.
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There is risk and truth to yourselves and the world before you.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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In a war situation or where violence and injustice are prevalent, poetry is called upon to be something more than a thing of beauty.
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As a young poet, you need corroboration, and that’s what publication does.
SEAMUS HEANEY