Use the worst colour you can find in each place – it usually is the best.
ROY LICHTENSTEINUse the worst colour you can find in each place – it usually is the best.
ROY LICHTENSTEINAll my art is in some way about other art, even if the other art is cartoons.
ROY LICHTENSTEINPainting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
ROY LICHTENSTEINI’d always wanted to know the difference between a mark that was art and one that wasn’t.
ROY LICHTENSTEINPeople mistake the character of line for the character of art. But it’s really the position of line that’s important, or the position of anything, any contrast, not the character of it.
ROY LICHTENSTEINI dont have big anxieties. I wish I did. Id be much more interesting.
ROY LICHTENSTEINIn America the biggest is the best.
ROY LICHTENSTEINI like to pretend that my art has nothing to do with me.
ROY LICHTENSTEINWhat interests me is to paint the kind of antisensitivity that impregnates modern civilization.
ROY LICHTENSTEINAll of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.
ROY LICHTENSTEINMy work isn’t about form. It’s about seeing. I’m excited about seeing things, and I’m interested in the way I think other people see things.
ROY LICHTENSTEINYes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.
ROY LICHTENSTEINThere is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
ROY LICHTENSTEINI’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.
ROY LICHTENSTEINThe things that I have apparently parodied I actually admire.
ROY LICHTENSTEINBut when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
ROY LICHTENSTEIN