Color is crucial in painting, but it is very hard to talk about.
ROY LICHTENSTEINMy work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way….
More Roy Lichtenstein Quotes
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Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there’s another purpose to it.
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When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
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We like to think of industrialization as being despicable.
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and all the colors around it and what it will really look like.
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People think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.
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People mistake the character of line for the character of art. But it’s really the position of line that’s important, or the position of anything, any contrast, not the character of it.
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I don’t think that I’m over his influence but they probably don’t look like Picassos; Picasso himself would probably have thrown up looking at my pictures.
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Picasso’s always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
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Im not really sure what social message my art carries, if any.
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Organized perception is what art is all about.
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I like to pretend that my art has nothing to do with me.
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Im interested in what would normally be considered the worst aspects of commercial art.
ROY LICHTENSTEIN






