All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
ROLAND BARTHESSomeone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
More Roland Barthes Quotes
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I am interested in language because it wounds or seduces me.
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I make the other’s absence responsible for my worldliness.
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Frontiers are physical as well as symbolic constructions.
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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
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To eat steak rare represents both a nature and a morality.
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Literature is the question minus the answer.
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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The birth of the reader must be at the cost of the death of the Author.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
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The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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Who speaks is not who writes, and who writes is not who is.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
ROLAND BARTHES