I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
ROLAND BARTHESIn an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
More Roland Barthes Quotes
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Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
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The author enters into his own death, writing begins.
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Man does not exist prior to language, either as a species or as an individual.
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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Whereas the work is understood to be traceable to a source (through a process of derivation or “filiation”), the Text is without a source – the “author” a mere “guest” at the reading of the Text.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially.
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Architecture is always dream and function, expression of a utopia and instrument of a convenience.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
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Great portrait photographers are great mythologists.
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Frontiers are physical as well as symbolic constructions.
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Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
ROLAND BARTHES