The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
ROLAND BARTHESI am interested in language because it wounds or seduces me.
More Roland Barthes Quotes
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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Where you are tender, you speak your plural.
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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Every photograph is a certificate of presence.
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The book creates meaning, the meaning creates life.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
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The lover’s fatal identity is precisely this: I am the one who waits.
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I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
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To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
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To make someone wait: the constant prerogative of all power.
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
ROLAND BARTHES