I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
ROLAND BARTHESI am interested in language because it wounds or seduces me.
More Roland Barthes Quotes
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It must always be considered as though spoken by a character in a novel
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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
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One must turn the tongue seven times in the mouth before speaking.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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Great portrait photographers are great mythologists.
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There is only one way left to escape the alienation of present day society: to retreat ahead of it.
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I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
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To make someone wait: the constant prerogative of all power.
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Television doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.
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Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
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The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
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Language is legislation, speech is its code. We do not see the power which is in speech because we forget that all speech is a classification, and that all classifications are oppressive.
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Physically, the Ventoux is dreadful. Bald, it’s the spirit of Dry: Its climate (it is much more an essence of climate than a geographic place) makes it a damned terrain, a testing place for heroes, something like a higher hell.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
ROLAND BARTHES