Painting can feign reality without having seen it.
ROLAND BARTHESI encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
More Roland Barthes Quotes
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Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
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How does meaning get into the image? Where does it end? And if it ends, what is there beyond?
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Isn’t desire always the same, whether the object is present or absent? Isn’t the object always absent? -This isn’t the same languor: there are two words: Pothos, desire for the absent being, and Himéros, the more burning desire for the present being.
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The lover’s fatal identity is precisely this: I am the one who waits.
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Language is never innocent.
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The best principals are not heroes; they are hero makers.
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All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
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Whereas the work is understood to be traceable to a source (through a process of derivation or “filiation”), the Text is without a source – the “author” a mere “guest” at the reading of the Text.
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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A photograph is always invisible, it is not it that we see.
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The photographic image is a message without a code.
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Why is it better to last than to burn?
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
ROLAND BARTHES