I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
ROLAND BARTHESI encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
More Roland Barthes Quotes
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Man does not exist prior to language, either as a species or as an individual.
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I am interested in language because it wounds or seduces me.
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I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
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Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
ROLAND BARTHES -
The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
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I make the other’s absence responsible for my worldliness.
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
ROLAND BARTHES -
Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
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Why is it better to last than to burn?
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The best principals are not heroes; they are hero makers.
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Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
ROLAND BARTHES