If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
ROLAND BARTHESEvery exploration is an appropriation.
More Roland Barthes Quotes
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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A photograph is always invisible, it is not it that we see.
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
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The new is not a fashion, it is a value.
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Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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Myth is neither a lie nor a confession: it is an inflexion.
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We know that the war against intelligence is always waged in the name of common sense.
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We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
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I am interested in language because it wounds or seduces me.
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Painting can feign reality without having seen it.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
ROLAND BARTHES