Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
ROLAND BARTHESI love you is unsubtle. It removes explanations, facilities, degrees, scruples.
More Roland Barthes Quotes
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
ROLAND BARTHES -
The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
ROLAND BARTHES -
I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
ROLAND BARTHES -
He who reads a story only once is condemned to read the same story his whole life.
ROLAND BARTHES -
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
ROLAND BARTHES -
The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
ROLAND BARTHES -
I am interested in language because it wounds or seduces me.
ROLAND BARTHES -
Architecture is always dream and function, expression of a utopia and instrument of a convenience.
ROLAND BARTHES -
To make someone wait: the constant prerogative of all power.
ROLAND BARTHES -
To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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Man does not exist prior to language, either as a species or as an individual.
ROLAND BARTHES -
In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
ROLAND BARTHES -
The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
ROLAND BARTHES -
I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
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What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially.
ROLAND BARTHES