If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
ROLAND BARTHESThrough the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
More Roland Barthes Quotes
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Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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The new is not a fashion, it is a value.
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Painting can feign reality without having seen it.
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I make the other’s absence responsible for my worldliness.
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The author enters into his own death, writing begins.
ROLAND BARTHES -
Myth is neither a lie nor a confession: it is an inflexion.
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Touch is the most demystifying of all senses, different from sight which is the most magical.
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How does meaning get into the image? Where does it end? And if it ends, what is there beyond?
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.
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Every photograph is a certificate of presence.
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
ROLAND BARTHES