I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
ROLAND BARTHESWe can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
More Roland Barthes Quotes
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There is only one way left to escape the alienation of present day society: to retreat ahead of it.
ROLAND BARTHES -
It is no longer the sexual which is indecent, it is the sentimental.
ROLAND BARTHES -
Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
ROLAND BARTHES -
The book creates meaning, the meaning creates life.
ROLAND BARTHES -
We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
ROLAND BARTHES -
Each of us has his own rhythm of suffering.
ROLAND BARTHES -
Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
ROLAND BARTHES -
Is not the most erotic part of the body wherever the clothing affords a glimpse?
ROLAND BARTHES -
Isn’t desire always the same, whether the object is present or absent? Isn’t the object always absent? -This isn’t the same languor: there are two words: Pothos, desire for the absent being, and Himéros, the more burning desire for the present being.
ROLAND BARTHES -
Frontiers are physical as well as symbolic constructions.
ROLAND BARTHES -
To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
ROLAND BARTHES -
Whereas the work is understood to be traceable to a source (through a process of derivation or “filiation”), the Text is without a source – the “author” a mere “guest” at the reading of the Text.
ROLAND BARTHES -
The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
ROLAND BARTHES -
I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
ROLAND BARTHES -
To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
ROLAND BARTHES