I initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
Who do sing SONGS. It’s like I never sang before; like I was – I don’t know – reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
It’s sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That’s the level where I want to go.
I drive a lot. Just for pleasure. Sometimes I’ll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y’know, just see where roads lead.
I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it’s kind of like that’s never really been my bag. Probably because I’m too shy.
For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.