I drive a lot. Just for pleasure. Sometimes I’ll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y’know, just see where roads lead.
BLACK FRANCISRecord companies have been overcharging people for way too long and now this is the trouble that they’re in.
More Black Francis Quotes
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I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It’s hard to say whether or not you’re a believer.
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I initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
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They’re pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.
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Everyone thinks I’m a wimp and even my own band hates me. Oh, well. I guess I’ll just flip ’em the bird!
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We sing some song that we made up but I don’t want to make a record like that.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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I have two step-kids and one of my own on the way. That’s three college funds.
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I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.
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When you look at something that’s really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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That’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.
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I’m really inspired by the interplay of visual art and music, a total artistic environment where there’s sound and visuals.
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There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
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I’ve got a small, loyal audience, which is great. And I appreciate that. They’re there for me every time.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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My most cryptic, strange songs might be my most personal, but that isn’t how people are going to receive them, because they don’t know the code.
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It’s obvious you shouldn’t steal, kill or be cruel.
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As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn’t have a day job.
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I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it’s kind of like that’s never really been my bag. Probably because I’m too shy.
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I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.
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A lot of my heroes are artists and a lot of my musical heroes have an artistic side.
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One guy just kept asking me and asking me in an interview, and I kept saying, “I just got done telling you no, there’s nothing to report.”
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Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
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There’s more to life than listening to rock music.
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I think everybody has a painter inside of them somewhere.
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If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.
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