I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It’s hard to say whether or not you’re a believer.
BLACK FRANCISI think that painting is a very ancient form of expression.
More Black Francis Quotes
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I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.
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Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.
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If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.
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I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.
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As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn’t have a day job.
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I don’t like to have everything all worked out in my head because there’s always a chance of it coming out different than you think it should anyway.
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I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.
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I don’t want to be flaky. I don’t want to be some temperamental, hard-to-work-with musician.
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Record companies have been overcharging people for way too long and now this is the trouble that they’re in.
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This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
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You should never rely on interviews with musicians as being factual.
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They’re pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.
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I come from an art history background. I studied at a master’s degree level; I chose to dork out on art for much of my adult life.
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One guy just kept asking me and asking me in an interview, and I kept saying, “I just got done telling you no, there’s nothing to report.”
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I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
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I’ve got a small, loyal audience, which is great. And I appreciate that. They’re there for me every time.
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My most cryptic, strange songs might be my most personal, but that isn’t how people are going to receive them, because they don’t know the code.
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Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
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A lot of my heroes are artists and a lot of my musical heroes have an artistic side.
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I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it’s kind of like that’s never really been my bag. Probably because I’m too shy.
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I think that painting is a very ancient form of expression.
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When you look at something that’s really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.
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I have two step-kids and one of my own on the way. That’s three college funds.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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