Shakespeare is one of the reasons I’ve stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words.
You sharpen the human appetite to the point where it can split atoms with its desire; you build egos the size of cathedrals; fiber-optically connect the world to every eager impulse.
It’s never really that much fun for me to do movies anyway, because you – you know, you have to get up very early in the morning and you have to go in and you spend a lot of time waiting around.
The physical stamina [in Revolution]. I was just shocked by it. I didn’t think I had it in me ever, and I wasn’t terribly young when I did it. I was in my early forties.
Any project that I find encouraging that isn’t attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
And I didn’t think about the material as much. But sometimes I’ve thought about the material a lot and thought I was doing the right thing, and it didn’t work out.
Read it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.
There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.