That’s why I like to work with the photogram, because the contact with what is represented is actual. ADAM FUSS ActualContactFineLikePhotogramRepresentedWork
It’s what we see every day in the magazines, on billboards and even on television. ADAM FUSS BillboardDayEvenEveryMagzineSawTelevision
I had a sense that photography could provide a bridge from the world of science to the world of art, or image. ADAM FUSS ArtBridgeImagePhotographyProvideScienceSenseWorld
I was attracted to photography because it was technical, full of gadgets, and I was obsessed with science. But at some point around fifteen or sixteen, ADAM FUSS ArtAttractedGadgetMeanObjectPhotographyScienceSubjectTechnical
Photography was a means of crossing into a new place I didn’t know. ADAM FUSS CrossCrossingMeanMewPhotographyPlace
It’s as if the border between the world and the print is osmotic. ADAM FUSS BetweenBorderEchoOsmoticPrintRealWorld
I’m saying there are many, many other ways to produce photographic imagery, and I would imagine that a lot of them have yet to be explored. ADAM FUSS ExploredImageryImaginePhotographicProduce
We’re so conditioned to the syntax of the camera that we don’t realize that we are running on only half the visual alphabet… ADAM FUSS AlphabetCameraConditionedLensesRealizeRunningSyntax
All those images are being produced basically the same way, through a lens and a camera. ADAM FUSS BasicallyCameraImageLensProducedSameWay
An echo is a good way to describe the photogram, which is a visual echo of the real object ADAM FUSS BorderEchoEchoesGoodObjectPhotogramRealVisualWay
