“It’s what we see every day in the magazines, on billboards and even on television.”

That’s why I like to work with the photogram, because the contact with what is represented is actual.

I had a sense that photography could provide a bridge from the world of science to the world of art, or image.

I was attracted to photography because it was technical, full of gadgets, and I was obsessed with science. But at some point around fifteen or sixteen,

Photography was a means of crossing into a new place I didn’t know.

It’s as if the border between the world and the print is osmotic.

I’m saying there are many, many other ways to produce photographic imagery, and I would imagine that a lot of them have yet to be explored.

We’re so conditioned to the syntax of the camera that we don’t realize that we are running on only half the visual alphabet…

All those images are being produced basically the same way, through a lens and a camera.

An echo is a good way to describe the photogram, which is a visual echo of the real object

What people have to understand is ‘Billboard’ is a magazine. They’re like elected officials – they work for us.