“I had a sense that photography could provide a bridge from the world of science to the world of art, or image.”

That’s why I like to work with the photogram, because the contact with what is represented is actual.

It’s what we see every day in the magazines, on billboards and even on television.

I was attracted to photography because it was technical, full of gadgets, and I was obsessed with science. But at some point around fifteen or sixteen,

Photography was a means of crossing into a new place I didn’t know.

It’s as if the border between the world and the print is osmotic.

I’m saying there are many, many other ways to produce photographic imagery, and I would imagine that a lot of them have yet to be explored.

We’re so conditioned to the syntax of the camera that we don’t realize that we are running on only half the visual alphabet…

All those images are being produced basically the same way, through a lens and a camera.

An echo is a good way to describe the photogram, which is a visual echo of the real object

I’ll never try to put on a fake image. I’m just Zac.

The day I die or retire, I have blown all my chances because I don’t have the chance any more to change my image as an F1 driver.

A great city, whose image dwells in the memory of man, is the type of some great idea. Rome represents conquest;

The first magic of love is our ignorance that it can ever end.

Imagine a world in which there is no time. Only images.

There are certain nights you and your image just aren’t in the same bed.

Think what evil creeps liberals would be if their plans to enfeeble the individual, exhaust the economy, impede the rule of law, and cripple national defense were guided by a coherent ideology instead of smug ignorance.

By an image we hold on to our lost treasures, but it is the wrenching loss that forms the image, composes, binds the bouquet.