It’s nice to get invited to the parties and to be able to hobnob and celebrate a job well done with your colleagues.
QUENTIN TARANTINOIn real life there are no bad guys. Everybody just has their own perspective.
More Quentin Tarantino Quotes
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I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you’re not that good. You just reached the level here. I don’t ever want to fail, but I want to risk failure every time out of the gate.
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Violence in real life is terrible; violence in movies can be cool. It’s just another colour to work with.
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A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
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I loved history because to me, history was like watching a movie.
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I’ve always considered myself a filmmaker who writes stuff for himself to do.
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One thing I don’t understand is that average American movie-goers cannot watch a movie for three hours, yet they’ll watch a stupid, boring, horrific football game for four hours. Now, that is boredom at its most colossal.
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I’m very happy with the way I write. I think I do it good. But I’ve never really considered myself a writer.
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Movies are not about the weekend that they’re released, and in the grand scheme of things, that’s probably the most unimportant time of a film’s life.
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The children despise their parents until the age of when they suddenly become just like them – thus preserving the system.
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I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It’s all language, it’s all communication.
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There are a lot of bad screenplays so if you write a good screenplay people are going to respond to it.
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In real life there are no bad guys. Everybody just has their own perspective.
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I’ve always thought my soundtracks do pretty good, because they’re basically professional equivalents of a mix tape I’d make for you at home.
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As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I’m severed.
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I want to have the fun of doing anime and I love anime, but I can’t do storyboards because I can’t really draw and that’s what they live and die on.
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To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
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My plan is to have a theatre in some small town or something and I’ll be manager. Ill be the crazy old movie guy.
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You don’t have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can’t help but make a good movie.
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I don’t believe in putting in music as a band aid to get you over some rough parts or bad film making. If it’s there it’s got to add to it or take it to another level.
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I write movies about mavericks, about people who break rules, and I don’t like movies about people who are pulverised for being mavericks.
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I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.
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If there is something magic about the collaborations I have with actors it’s because I put the character first.
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My parents said, Oh, he’s going to be a director someday. I wanted to be an actor.
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One can be inclined to just say, “F this political correctness! I don’t have time for that!”
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Something stopped me in school a little bit. Anything that I’m not interested in, I can’t even feign interest.
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I don’t think there’s anything to be afraid of. Failure brings great rewards – in the life of an artist.
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