Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
QUENTIN TARANTINOI am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It’s all language, it’s all communication.
More Quentin Tarantino Quotes
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Something stopped me in school a little bit. Anything that I’m not interested in, I can’t even feign interest.
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The easiest way to kill a cult is to make that cult accessible.
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There are a lot of bad screenplays so if you write a good screenplay people are going to respond to it.
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Emotion will always win over coolness and cleverness. It’s when a scene works emotionally and it’s cool and clever, then it’s great. That’s what you want.
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I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.
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My plan is to have a theatre in some small town or something and I’ll be manager. Ill be the crazy old movie guy.
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I actually think one of my strengths is my storytelling.
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I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you’re not that good. You just reached the level here. I don’t ever want to fail, but I want to risk failure every time out of the gate.
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Dogs got personality. Personality goes a long way.
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I have loved movies as the number one thing in my life so long that I can’t ever remember a time when I didn’t.
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I loved history because to me, history was like watching a movie.
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That’s how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.
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I’ve always thought my soundtracks do pretty good, because they’re basically professional equivalents of a mix tape I’d make for you at home.
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I write movies about mavericks, about people who break rules, and I don’t like movies about people who are pulverised for being mavericks.
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If I’ve made it a little easier for artists to work in violence, great! I’ve accomplished something.
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When people ask me if I went to film school I tell them, ‘no, I went to films.’
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One thing I don’t understand is that average American movie-goers cannot watch a movie for three hours, yet they’ll watch a stupid, boring, horrific football game for four hours. Now, that is boredom at its most colossal.
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I don’t believe in putting in music as a band aid to get you over some rough parts or bad film making. If it’s there it’s got to add to it or take it to another level.
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I don’t have to play the song all the way to the very end – I use it while it’s good and while it’s cool and while it’s exciting, and then I get out.
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To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
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When I make a movie, I want it to be everything to me; like I would die for it.
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The children despise their parents until the age of when they suddenly become just like them – thus preserving the system.
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In real life there are no bad guys. Everybody just has their own perspective.
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Violence in real life is terrible; violence in movies can be cool. It’s just another colour to work with.
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To be a novelist, all I need is a pen and a piece of paper.
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As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I’m severed.
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