I don’t have to play the song all the way to the very end – I use it while it’s good and while it’s cool and while it’s exciting, and then I get out.
QUENTIN TARANTINOEmotion will always win over coolness and cleverness. It’s when a scene works emotionally and it’s cool and clever, then it’s great. That’s what you want.
More Quentin Tarantino Quotes
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If I’m doing my job right, then I’m not writing the dialogue; the characters are saying the dialogue, and I’m just jotting it down.
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I don’t think there’s anything to be afraid of. Failure brings great rewards – in the life of an artist.
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Don’t write what you think people want to read. Find your voice and write about what’s in your heart.
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If you want to make a movie, make it. Don’t wait for a grant, don’t wait for the perfect circumstances, just make it.
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I don’t judge my characters, and that’s my job not to judge them. It’s my job to treat them with respect and to just look at it from their point of view.
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I have loved movies as the number one thing in my life so long that I can’t ever remember a time when I didn’t.
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I actually think one of my strengths is my storytelling.
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I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.
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I don’t believe in putting in music as a band aid to get you over some rough parts or bad film making. If it’s there it’s got to add to it or take it to another level.
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Dogs got personality. Personality goes a long way.
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Violence in real life is terrible; violence in movies can be cool. It’s just another colour to work with.
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I’m basically like, you know, learned pretty quickly the guy who throws the first punch usually wins, so when people gave me a hard time I just punched them.
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When people ask me if I went to film school I tell them, ‘no, I went to films.’
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That’s how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.
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I write movies about mavericks, about people who break rules, and I don’t like movies about people who are pulverised for being mavericks.
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I loved history because to me, history was like watching a movie.
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One thing I don’t understand is that average American movie-goers cannot watch a movie for three hours, yet they’ll watch a stupid, boring, horrific football game for four hours. Now, that is boredom at its most colossal.
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I am not going to tell you how I believe, but I do believe in God.
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Just because I was at an anti-police brutality protest, doesn’t mean I’m anti-police. We want justice, but stop shooting unarmed people.
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There are a lot of bad screenplays so if you write a good screenplay people are going to respond to it.
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If there is something magic about the collaborations I have with actors it’s because I put the character first.
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Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
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I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you’re not that good. You just reached the level here. I don’t ever want to fail, but I want to risk failure every time out of the gate.
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I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It’s all language, it’s all communication.
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L.A. is so big that if you don’t actually live in Hollywood, you might as well be from a different planet.
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All my movies are achingly personal.
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