In Manhattan, every flat surface is a potential stage and every inattentive waiter an unemployed, possibly unemployable, actor.
QUENTIN CRISPThe consuming desire of most human beings is deliberately to plant their whole life in the hands of some other person. I would describe this method of searching for happiness as immature. Development of character consists solely in moving toward self-sufficiency.
More Quentin Crisp Quotes
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Masturbation is not only an expression of self-regard: it is also the natural emotional outlet of those who…have already accepted as inevitable the wide gulf between their real futures and the expectations of their fantasies.
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Believe in fate, but lean forward where fate can see you.
QUENTIN CRISP -
Manners are a way of getting what you want without appearing to be an absolute swine.
QUENTIN CRISP -
Never get involved with someone who wants to change you
QUENTIN CRISP -
What my parents thought of this, I don’t know. But they bore it. And the real problem was not my sin, but my unemployability.
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It may be true that artists adopt a flamboyant appearance, but it’s also true that people who look funny get stuck with the arts.
QUENTIN CRISP -
Euphemisms are unpleasant truths wearing diplomatic cologne.
QUENTIN CRISP -
The gymnasiacs of Venice, in California, are so addicted to these practices that there has arisen a nation of men who can no longer put their arms against their sides
QUENTIN CRISP -
I don’t think you can really be proud of being gay because it isn’t something you’ve done. You can only be proud of not being ashamed.
QUENTIN CRISP -
The trouble with European cities is that they are drenched in their history, almost all of which is terrible.
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And were then to lay his own garden path diagonally from one corner to the other, that man’s soul would be lost. Originality is only to be praised when not prefaced by the look to right and left.
QUENTIN CRISP -
Neither look forward where there is doubt nor backward where there is regret.
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The happiest moments in any affair take place after the loved one has learned to accommodate the lover and before the maddening personality of either party has emerged like a jagged rock from the receding tides of lust and curiosity.
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I had a friend who had two degrees of being made up: when invited I would say ‘Can I make up?’ and he would say ‘Oh yes – tinted?’, or he would say, ‘Oh yes – clotted?’
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My mother protected me from the world and my father threatened me with it.
QUENTIN CRISP






