I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
PATTI SMITHSo my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
More Patti Smith Quotes
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I felt alien my whole life but I didn’t feel alien because of my gender. Other people made me aware of my gender.
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Trust is everything between two artists, or between subject and artist. You have to have trust or nothing good will come out of it.
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Life isn’t some vertical or horizontal line — you have your own interior world, and it’s not neat.
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You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITH -
Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
PATTI SMITH -
Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
PATTI SMITH -
I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
PATTI SMITH -
I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.
PATTI SMITH -
Remember, we are mortal, but poetry is not.
PATTI SMITH -
I’m a worker. I do the work to communicate, and I want people to embrace it, and when they do I’m happy.
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I think it’s important for people to realize that we were all young, all naive, and also we had lived in a time that had magic.
PATTI SMITH -
Life is an adventure of our own design intersected by fate and a series of lucky and unlucky accidents.
PATTI SMITH -
People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
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The film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
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My father came a couple of times, but he always blamed his hearing loss on my loud amplifiers. So he didn’t come anymore, but I had his support.
PATTI SMITH