I’m never certain of a performance – my own or the other actors’ – or the script or anything. But to me it seems there’s only one place in the world the camera can be, and the decision usually comes immediately.
ORSON WELLESI want to give the audience a hint of a scene. No more than that. Give them too much and they won’t contribute anything themselves. Give them just a suggestion and you get them working with you. That’s what gives the theater meaning: when it becomes a social act.
More Orson Welles Quotes
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Popularity should be no scale for the election of politicians. If it would depend on popularity, Donald Duck and The Muppets would take seats in senate.
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Living in the lap of luxury isn’t bad except that you never know when luxury is going to stand up.
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The trouble with a movie is that it’s old before it’s released. It’s no accident that it comes in a can.
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A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.
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In my opinion, there are two things that can absolutely not be carried to the screen: the realistic presentation of the sexual act and praying to God.
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Friendship creates only the illusion of not being alone.
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I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.
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When people accept breaking the law as normal, something happens to the whole society.
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Crooks aren’t the worst people, just the stupidest. The fleas of the world.
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The camera is much more than a recording apparatus, it is a medium via which messages reach us from another world.
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Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.
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Nobody gets justice. People only get good luck or bad luck.
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I don’t say we all ought to misbehave, but we ought to look as if we could.
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If I ever own a restaurant, I will never allow the waiters to ask if the diners like their dishes. Particularly when they’re talking.
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I do not suppose I shall be remembered for anything. But I don’t think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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A good artist should be isolated. If he isn’t isolated, something is wrong.
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The most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.
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See, I believe that it is not true that different races and nations are alike. I’m profoundly convinced that that’s a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.
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Personally, I don’t like a girlfriend to have a husband. If she’ll fool her husband, I figure she’ll fool me.
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Future shock is a sickness which comes from too much change in too short a time. It’s the feeling that nothing is permanent anymore.
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Never expect justice in this world. That is not part of God’s plan. Everybody thinks that if they don’t get it, they’re some kind of odd man out. And it’s not true. Nobody gets justice – people just get good luck or bad luck.
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Criticism is the essence of creation.
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If you want a happy ending, that depends, of course, on where you stop your story.
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Working is part of life, I don’t know how to distinguish between the two. Work is an expression of life.
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I have a great love and respect for religion, great love and respect for atheism. What I hate is agnosticism, people who do not choose.
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Race hate isn’t human nature; race hate is the abandonment of human nature.
ORSON WELLES