Kylie Minogue is the greatest thing that has happened to Australian music.
NICK CAVEKylie Minogue is the greatest thing that has happened to Australian music.
NICK CAVEWriting is a necessary thing for me, just to keep myself level. It has beneficial effects on my life.
NICK CAVEInspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.
NICK CAVEThat’s what we [outsiders] feel America is really about – the kind of crazed ravings of the Christian right – when it’s probably something quite different.
NICK CAVEIf I’m hanging around too much, my wife and kids say, ‘Hey, why don’t you go downstairs and start a new novel?’
NICK CAVEI think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.
NICK CAVEThe way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don’t have a bunch of notes that I bring into the office, I start with nothing at all.
NICK CAVEWe as visual artists need to continue to be renegades and say, “Yes I am here to do a project, but what is the social service?”
NICK CAVETo sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
NICK CAVEFilm seems to be a medium designed for betrayal and violence.
NICK CAVEAnd she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
NICK CAVEThe songs that I like are the ones that you can’t visualize, that are just cries from the heart – those very straight, direct songs that make rock & roll music so wonderful.
NICK CAVEIt’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
NICK CAVEA gentleman never talks about his tailor.
NICK CAVETexting is apocalyptic on some level. It’s a reduction of things.
NICK CAVEI don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
NICK CAVE