It’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
NICK CAVETexting is apocalyptic on some level. It’s a reduction of things.
More Nick Cave Quotes
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Moving to the country is a very bold thing to do. You can have vague romantic notions about doing that, but in actuality, it can be a terrifying thing.
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I’m not in the business of telling people what to do. I’m much more in the business of describing things, situations and stuff like that and leaving them out there, and you can make up your minds about them.
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No wonder sorrow doesn’t smile much. No wonder sadness is so sad.
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I’ve always had an obligation to creation, above all.
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The singing tells everybody what to do musically.
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Everyone wants to feel that they matter.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
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The way I take in the world is by seeing it; that is very much evident in the songs that I write.
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I love being manipulated by what I see. I love weepies and romantic comedies where you’re reaching for the Kleenex at the right moment.
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I’m an Australian, and when I grew up much of my influences were American – blues music and country music, all that sort of thing.
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The artistic process seems to be mythologized quite a lot into something far greater than it actually is. It is just hard labor.
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That’s what we [outsiders] feel America is really about – the kind of crazed ravings of the Christian right – when it’s probably something quite different.
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I look at you and you look at me and deep in our hearts know it That you weren’t much of a muse, but then I weren’t much of a poet
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I think there’s a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
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And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
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I’ve watched ‘Oprah Winfrey.’ And I’m proud. I don’t care what anybody says! I don’t know whether I’ve watched it. I’ve been in the room while it’s been on.
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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
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We are still struggling with people who don’t feel comfortable going into museums. As a visual artist I ask how artists can be part of enacting a change.
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We as visual artists need to continue to be renegades and say, “Yes I am here to do a project, but what is the social service?”
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I don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
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The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
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To sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
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If I’m hanging around too much, my wife and kids say, ‘Hey, why don’t you go downstairs and start a new novel?’
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The songs that I like are the ones that you can’t visualize, that are just cries from the heart – those very straight, direct songs that make rock & roll music so wonderful.
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Film seems to be a medium designed for betrayal and violence.
NICK CAVE