I know when I sit with my band members and we’re playing back a song that we’ve done, I know that they’re experiencing it in a completely different way and hearing stuff that they’re alerted to because the way the interpret the world is through their ears. Mine is through my eyes.
NICK CAVETo sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
More Nick Cave Quotes
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Your limitations make you the wonderful disaster you most probably are.
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In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
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And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
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I’ve always had an obligation to creation, above all.
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The body becomes the carrier for the work. It’s not really about the physical body; it really becomes the apparatus that carries and moves the work. I don’t really consider the body as much; I look at it as a tool.
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It’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
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Film seems to be a medium designed for betrayal and violence.
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The singing tells everybody what to do musically.
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I think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.
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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
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No wonder sorrow doesn’t smile much. No wonder sadness is so sad.
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You write a scene, and it works or it doesn’t. It’s immediate.
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The blues is instilled in every musical cell that floats around your body.
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The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don’t have a bunch of notes that I bring into the office, I start with nothing at all.
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I don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
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I’m an Australian, and when I grew up much of my influences were American – blues music and country music, all that sort of thing.
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I have things that I’m interested in, and I’m not really interested in writing about anything that I’m not interested in. But it’s important to me to be able to see it from a different perspective, and add something new to the whole picture.
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Kylie Minogue is the greatest thing that has happened to Australian music.
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If I’m hanging around too much, my wife and kids say, ‘Hey, why don’t you go downstairs and start a new novel?’
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That’s what we [outsiders] feel America is really about – the kind of crazed ravings of the Christian right – when it’s probably something quite different.
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To sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
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I love rock-n-roll. I think it’s an exciting art form. It’s revolutionary. Still revolutionary and it changed people. It changed their hearts. But yeah, even rock-n-roll has a lot of rubbish, really bad music.
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I write songs in batches and then record them and then can’t write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.
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Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.
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Texting is apocalyptic on some level. It’s a reduction of things.
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I’ve always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
NICK CAVE