Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.
NICK CAVEIt’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
More Nick Cave Quotes
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The songs that I like are the ones that you can’t visualize, that are just cries from the heart – those very straight, direct songs that make rock & roll music so wonderful.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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I’m a big fan of teatowels and am always on the lookout for a good one.
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I’m an Australian, and when I grew up much of my influences were American – blues music and country music, all that sort of thing.
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I’m unable to really write the kind of song that doesn’t have a visual element, which most songs don’t.
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We are still struggling with people who don’t feel comfortable going into museums. As a visual artist I ask how artists can be part of enacting a change.
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No wonder sorrow doesn’t smile much. No wonder sadness is so sad.
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And I kissed away a thousand tears My lady of the Various Sorrows Some begged, some borrowed, some stolen Some kept safe for tomorrow.
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I don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
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The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
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To sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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Certainly being proficient in an instrument does have its problems. Because the better you get, the more you just start sounding like an ordinary guitarist. There are certainly guitarists that transcend that and do really find their sound and all that sort of stuff.
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A gentleman never talks about his tailor.
NICK CAVE