So we’re talking about the Bible itself being a translation of a translation of a translation. And, in reality, it has affected people’s lives in history.
NGUGI WA THIONG'OThere is no way we can survive as a nation in the world without finding unity.
More Ngugi wa Thiong'o Quotes
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I was wondering why I was put in prison for working in an African language when I had not been put in prison for working in English. So really, in prison I started thinking more seriously about the relation between language and power.
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If poverty was to be sold three cents today, i can’t buy it.
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It was a revelation for me, in a practical sense, that you could write in an African language and still reach an audience beyond that language through the art of translation.
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In terms of language, English is very dominant vis-Ã-vis African language. That in itself is a power relationship – between languages and communities – because the English language is a determinant of the ladder to achievement.
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You get another person who operates only in an African language and there are many persons who operate only in African languages; he or she is excluded from all the goodies that come with English.
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Of course it’s very, very important for me to feel Kenya, to feel, every day, this is where images come from. So to be taken away from that by political pressure or other means – one is taken away from the area, which is the basis of inspiration – is difficult.
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The Pan-Africanism that envisaged the ideal of wholeness was gradually cut down to the size of a continent, then a nation, a region, an ethnos, a clan, and even a village in some instances But Pan-Africanism has not outlived its mission.
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Writing in African languages became a topic of discussion in conferences, in schools, in classrooms; the issue is always being raised – so it’s no longer “in the closet,” as it were. It’s part of the discussion going on about the future of African literature.
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Through the act of translation we break out of linguistic confinement and reach many other communities.
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If a novel is written in a certain language with certain characters from a particular community and the story is very good or illuminating, then that work is translated into the language of another community.
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Our lives are a battlefield on which is fought a continuous war between the forces that are pledged to confirm our humanity and those determined to dismantle it.
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I’m more trying to connect; I’m more listening to people. Whatever I get is very meaningful to me.
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Those who strive to build a protective wall around it, and those who wish to pull it down; those who seek to mould it and those committed to breaking it up; those who aim to open our eyes, to make us see the light and look to tomorrow […] and those who wish to lull us into closing our eyes
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Then they begin to see through their language that the problems described there are the same as the problems they are having. They can identify with characters from another language group.
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The same questions are there in Native American languages, they’re there in native Canadian languages, they’re there is some marginalized European languages, like say, Irish.
NGUGI WA THIONG'O