The solitude of writing is also quite frightening. It’s quite close to madness, one just disappears for a day and loses touch.
NADINE GORDIMEROne can’t measure how a mood of confidence comes about.
More Nadine Gordimer Quotes
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Rebirth. I mean by this simply what happens when the child begins to realise the fact that the black does not enter through the white’s front door is not in the same category as the fact that the dead will never come back.
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You can’t change a regime on the basis of compassion. There’s got to be something harder.
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Newspapers are horror happening to other people.
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Communists are the last optimists.
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There is no moral authority like that of sacrifice.
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Fiction is a way of exploring possibilities present but undreamt of in the living of a single life.
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Perhaps the best definition of progress would be the continuing efforts of men and women to narrow the gap between the convenience of the powers that be and the unwritten charter.
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Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
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when it comes to their essential faculty as writers, all writers are androgynous beings.
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If one will always have to feel white first, and African second, it would be better not to stay on in Africa.
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Books dont need batteries
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It’s easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
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The creative act is not pure. History evidences it. Ideology demands it. Society exacts it.
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There’s no tiling moral about beauty.
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In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.
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Power is something of which I am convinced there is no innocence this side of the womb.
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When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us.
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About the joys and the courage, I really don’t know what other people think. I just know that I’ve never left Africa. I’ve lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can’t believe that the Russian people themselves have rejected it.
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From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
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Can you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more – absolutely not. France used to, at least, have writers as diplomats, but not any more.
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The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
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People give one another things that can’t be gift wrapped.
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One can’t measure how a mood of confidence comes about.
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I decided that I wanted nothing to do with South African government television while any of my fellow writers were banned and couldn’t speak publicly.
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Perhaps the best way to write is to do so as if one were already dead, afraid of no one’s reactions, answerable to no one’s views.
NADINE GORDIMER