Power is something of which I am convinced there is no innocence this side of the womb.
NADINE GORDIMERResponsibility is what awaits outside the Eden of Creativity.
More Nadine Gordimer Quotes
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If I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.
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Responsibility is what awaits outside the Eden of Creativity.
NADINE GORDIMER -
Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
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The solitude of writing is also quite frightening. It’s quite close to madness, one just disappears for a day and loses touch.
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Disaster is private, in its way, as love is.
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About the joys and the courage, I really don’t know what other people think. I just know that I’ve never left Africa. I’ve lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
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I’m forty-nine but I could be twenty-five except for my face and my legs.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can’t believe that the Russian people themselves have rejected it.
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It’s absolutely fatal to your writing to think about how your work will be received. It’s a betrayal of whatever talent you have.
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Well, you know, in the fundamentalist milieu of the Afrikaners, there was a sense that they were a chosen people, that they were bringing civilization to the blacks.
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The function of a writer is to make sense of life. It is such a mystery, it changes all the time, like the light.
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The facts are always less than what really happened.
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In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.
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Any writer of any worth at all hopes to play only a pocket-torch of light – and rarely, through genius, a sudden flambeau – into the bloody yet beautiful labyrinth of human experience, of being.
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In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
NADINE GORDIMER