There’s no tiling moral about beauty.
NADINE GORDIMERa writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
More Nadine Gordimer Quotes
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Writers themselves don’t analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope.
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The gap between the committed and the indifferent is a Sahara whose faint trails, followed by the mind’s eye only, fade out in sand.
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when it comes to their essential faculty as writers, all writers are androgynous beings.
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It’s absolutely fatal to your writing to think about how your work will be received. It’s a betrayal of whatever talent you have.
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People give one another things that can’t be gift wrapped.
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Peace. The upland serenity of high altitude, the openness of grassland without indigenous bush or trees; the greening, yellowing or silver-browning that prevailed, according to season.
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Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
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I never talk about what I’m writing about currently, never. It’s private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
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Written words still have the amazing power to bring out the best and worst of human nature
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If one will always have to feel white first, and African second, it would be better not to stay on in Africa.
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The primacy of the word, basis of the human psyche, that has in our age been used for mind-bending persuasion and brain-washing pulp, disgraced by Gobbles and debased by advertising copy, remains a force for freedom that flies out between all bars.
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Fiction is a way of exploring possibilities present but undreamt of in the living of a single life.
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Very often we support change, and then are swept away by the change. I think that…you just make your own response to your own generation. A response adequate to your time.
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It’s easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
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In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.
NADINE GORDIMER