Poverty’s child – he starts to grind the rice, and gazes at the moon.
MATSUO BASHOPoverty’s child – he starts to grind the rice, and gazes at the moon.
MATSUO BASHONothing in the cry of cicadas suggests they are about to die.
MATSUO BASHOThe haiku that reveals seventy to eighty percent of its subject is good. Those that reveal fifty to sixty percent, we never tire of.
MATSUO BASHOOld pond, leap-splash – a frog.
MATSUO BASHOThe moon is brighter since the barn burned.
MATSUO BASHOThe moon and sun are travelers through eternity. Even the years wander on. Whether drifting through life on a boat or climbing toward old age leading a horse, each day is a journey, and the journey itself is home.
MATSUO BASHOBreaking the silence Of an ancient pond, A frog jumped into water – A deep resonance.
MATSUO BASHOGo to the pine if you want to learn about the pine, or to the bamboo if you want to learn about the bamboo. And in doing so, you must leave your subjective preoccupation with yourself. Otherwise you impose yourself on the object and you do not learn.
MATSUO BASHOA flute with no holes is not a flute.
MATSUO BASHOCome out to view / the truth of flowers blooming / in poverty.
MATSUO BASHOAround existence twine, (Oh, bridge that hangs across the gorge!) ropes of twisted vine.
MATSUO BASHOAll my friends / viewing the moon – / an ugly bunch.
MATSUO BASHONot to think of yourself / as someone who did not count — / Festival of the Souls.
MATSUO BASHOClapping my hands with the echoes the summer moon begins to dawn.
MATSUO BASHOFelling a tree and gazing at the cut end – tonight’s moon.
MATSUO BASHODo not resemble me-Never be like a musk melon Cut in two identical halves.
MATSUO BASHO