Sitting quietly, doing nothing, Spring comes, and the grass grows, by itself.
MATSUO BASHOThe universe and its beings are a complementarity of empty infinity, intimate interrelationships, and total uniqueness of each and every being.
More Matsuo Basho Quotes
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Before enlightenment, chopping wood and carrying water. After enlightenment, chopping wood and carrying water.
MATSUO BASHO -
The universe and its beings are a complementarity of empty infinity, intimate interrelationships, and total uniqueness of each and every being.
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Spring rain leaking through the roof dripping from the wasps’ nest.
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For this lovely bowl let us arrange these flowers since there is no rice.
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When I speak My lips feel cold – The autumn wind.
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Every moment of life is the last, every poem is a death poem.
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April’s air stirs in Willow-leaves, a butterfly Floats and balances.
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There came a day when the clouds drifting along with the wind aroused a wanderlust in me, and I set off on a journey to roam along the seashores
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Winter garden, the moon thinned to a thread, insects singing.
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Go to the pine if you want to learn about the pine, or to the bamboo if you want to learn about the bamboo. And in doing so, you must leave your subjective preoccupation with yourself. Otherwise you impose yourself on the object and you do not learn.
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When your consciousness has become ripe in true zazen-pure like clear water, like a serene mountain lake, not moved by any wind-then anything may serve as a medium for realization.
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Awakened at midnight by the sound of the water jar cracking from the ice.
MATSUO BASHO -
Go to the object. Leave your subjective preoccupation with yourself. Do not impose yourself on the object. Become one with the object. Plunge deep enough into the object to see something like a hidden glimmering there.
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At the ancient pond the frog plunges into the sound of water.
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All my friends / viewing the moon – / an ugly bunch.
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How much I desire! Inside my little satchel, the moon, and flowers.
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A weathered skeleton in windy fields of memory, piercing like a knife.
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Sadly, I part from you; Like a clam torn from its shell, I go, and autumn too.
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Don’t imitate me / we are not two halves / of a muskmelon.
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The haiku that reveals seventy to eighty percent of its subject is good. Those that reveal fifty to sixty percent, we never tire of.
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Fresh spring! / The world is only Nine days old – / These fields and mountains!
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Collecting all The rains of May The swift Mogami River.
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Breaking the silence Of an ancient pond, A frog jumped into water – A deep resonance.
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How I long to see among dawn flowers, the face of God.
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He who creates three to five haiku poems during a lifetime is a haiku poet. He who attains to completes ten is a master.
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This autumn- why am I growing old? bird disappearing among clouds.
MATSUO BASHO