Go to the pine if you want to learn about the pine, or to the bamboo if you want to learn about the bamboo. And in doing so, you must leave your subjective preoccupation with yourself. Otherwise you impose yourself on the object and you do not learn.
MATSUO BASHOThe desire to break the silence with constant human noise is, I believe, precisely an avoidance of the sacred terror of that divine encounter.
More Matsuo Basho Quotes
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Around existence twine, (Oh, bridge that hangs across the gorge!) ropes of twisted vine.
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There is nothing you can see that is not a flower; there is nothing you can think that is not the moon.
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Every moment of life is the last, every poem is a death poem.
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April’s air stirs in Willow-leaves, a butterfly Floats and balances.
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Why so scrawny, cat? Starving for fat fish or mice… Or backyard love?
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He who creates three to five haiku poems during a lifetime is a haiku poet. He who attains to completes ten is a master.
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A thicket of summer grass / Is all that remains / Of the dreams of ancient warriors.
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Make the universe your companion, always bearing in mind the true nature of things-mountains and rivers, trees and grasses, and humanity-and enjoy the falling blossoms and the scattering leaves.
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Breaking the silence Of an ancient pond, A frog jumped into water – A deep resonance.
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Not to think of yourself / as someone who did not count — / Festival of the Souls.
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Year’s end, all corners of this floating world, swept.
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The oak tree: not interested in cherry blossoms.
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The desire to break the silence with constant human noise is, I believe, precisely an avoidance of the sacred terror of that divine encounter.
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The fact that Saigyo composed a poem that begins, “I shall be unhappy without loneliness,” shows that he made loneliness his master.
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A weathered skeleton in windy fields of memory, piercing like a knife.
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At the ancient pond the frog plunges into the sound of water.
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An autumn night – don’t think your life didn’t matter.
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I am one who eats breakfast gazing at morning glories.
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Seek not the paths of the ancients; Seek that which the ancients sought.
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When composing a verse let there not be a hair’s breath separating your mind from what you write; composition of a poem must be done in an instant, like a woodcutter felling a huge tree or a swordsman leaping at a dangerous enemy.
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Plunge Deep enough in order to see something that is hidden and glimmering.
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There came a day when the clouds drifting along with the wind aroused a wanderlust in me, and I set off on a journey to roam along the seashores
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Awakened at midnight by the sound of the water jar cracking from the ice.
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Go to the object. Leave your subjective preoccupation with yourself. Do not impose yourself on the object. Become one with the object. Plunge deep enough into the object to see something like a hidden glimmering there.
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Friends part forever wild geese lost in cloud.
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Do not resemble me-Never be like a musk melon Cut in two identical halves.
MATSUO BASHO