Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
LEV GROSSMANIt turns out that there is something that can compete with free: easy.
More Lev Grossman Quotes
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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You’re saying the gods don’t have free will.” “The power to make mistakes,” Penny said. “Only we have that. Mortals
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He wasn’t surprised. He was used to this anticlimactic feeling, where by the time you’ve done all the work to get something you don’t even want it anymore.
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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His whole personality was like an elaborate joke that he never stopped telling.
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The truth doesn’t always make a good story, does it?
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Do you promise to hate my parents as much as I do?” “Oh, absolutely,” Quentin said. “Maybe even more.
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We have lived too long. The great days are past.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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Supposedly I’ve got traces of an English accent, though I can’t hear it. I must have inherited it from my mother, who’s English, and then I think it was exacerbated by the fact that I live with an Australian.
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My book group has one rule: no books for adults. We read young adult fiction only.
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Don’t take anyone’s writing advice too seriously.
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The main advantage of being a reviewer is that you read a lot. A lot of books get sent to you, and you have an amazing vantage point from which to observe what’s going on in contemporary fiction – not only genre stuff, the whole spectrum.
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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