Josh speculated about the hypothetical contents of an imaginary porn magazine for intelligent trees that would be entitled Enthouse.
LEV GROSSMANThe main advantage of being a reviewer is that you read a lot. A lot of books get sent to you, and you have an amazing vantage point from which to observe what’s going on in contemporary fiction – not only genre stuff, the whole spectrum.
More Lev Grossman Quotes
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.
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He who completes a quest does not merely find something. He becomes something.
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By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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We have reached the point where ignorance and neglect are the best we can hope for in a ruler.
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I recognize that on paper, you can’t really tell that I’m a fan or a nerd.
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I feel very conscious of my influences. T.H. White is very important for me.
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People – me included – want to get excited about books. Good books are a good thing.
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I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed – it was – impossible to realize, so I sat around for a long, long time doing almost nothing at all.
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The process of learning is a nonstop orgy of wonderment.
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I studied the cello for a long time, from when I was little up through college.
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Don’t take anyone’s writing advice too seriously.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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The real world is horrible.
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