The truth doesn’t always make a good story, does it?
LEV GROSSMANMaybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
More Lev Grossman Quotes
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.
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Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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I came from an anxious, overly intense East Coast academic family. That was the way of our tribe.
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I feel very conscious of my influences. T.H. White is very important for me.
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People – me included – want to get excited about books. Good books are a good thing.
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Magic: it was what happened when the mind met the world, and the mind won for a change.
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You’re saying the gods don’t have free will.” “The power to make mistakes,” Penny said. “Only we have that. Mortals
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there’s nothing else.
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We have reached the point where ignorance and neglect are the best we can hope for in a ruler.
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Don’t take anyone’s writing advice too seriously.
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A novel with a bad middle is a bad book. A bad ending is something I’ve just gotten in the habit of forgiving.
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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