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1. black
2. grey
3. blue
4. red
5. brown
6. white

My book group has one rule: no books for adults. We read young adult fiction only.

Lev Grossman

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  People – me included – want to get excited about books. Good books are a good thing.

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  Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there’s nothing else.

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  I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.

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  Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.

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  By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.

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  Do you promise to hate my parents as much as I do?” “Oh, absolutely,” Quentin said. “Maybe even more.

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  Magic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.

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  He who completes a quest does not merely find something. He becomes something.

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  I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.

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  I’ve only read three books by Stephen King. When I was 10 I read ‘The Long Walk,’ one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read ‘The Dark Half,’ which taught me a word I have never forgotten: psychopomp. Now I have read ’11/22/63.’

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  It’s an engrossing look at the way the flow of information shapes history-as well as a rare glimpse into the soul of the hardcore geek

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  Josh speculated about the hypothetical contents of an imaginary porn magazine for intelligent trees that would be entitled Enthouse.

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  The problem with growing up is that once you’re grown up, the people who aren’t grown up aren’t fun anymore.

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  I studied the cello for a long time, from when I was little up through college.

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  We have lived too long. The great days are past.

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  Escapism has value, even if I don’t know what its value is, exactly. Maybe it’s just part of some healthy way that we deal with the world.

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