Because it does feel important to say it really doesn’t matter what shape you are.
KEIRA KNIGHTLEYYou have to learn the rules to be able to know how to break them.
More Keira Knightley Quotes
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I cook. I go to farmers markets in London and cook really good sort of organic foods.
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I don’t think that you can fake warmth. You can fake lust, jealousy, anger; those are all quite easy. But actual, genuine warmth? I don’t think you can fake it.
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In L.A., I’m twice the size – height and everything else – of most of the other actresses who are going for an audition.
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Envy is the last thing that my parents feel.
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You bring yourself to every role, it doesn’t matter who it is, it doesn’t matter if it’s a mass murderer, you can bring something to it.
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I always feel like I’m the one with everything to prove.
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I’m doing a film now with a lot of guys as well, so at the end of that I will be growing a beard.
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The whole point for me is to change as much as possible. If I’ve done one movie, I’ve done that, move on.
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I see the world through my eyes. It’s sometimes a strange world.
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I find it difficult to see the romance in digital.
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My upbringing is why I am the person I am today. I have very wise parents.
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Nice is the worst word.
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I like watching films when I don’t know anything about the people.
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You have to learn the rules to be able to know how to break them.
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In the movie, you’re moving, you have personality, you don’t have to be great looking.
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I think fashion is like putting on armor. I like that aspect of it, but it’s not something I want to think about every day.
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I wish I was Sienna Miller. When I talk to her, I hope a bit of her party personality will rub off on me, but it never does.
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Well, the thing about great fictional characters from literature, and the reason that they’re constantly turned into characters in movies, is that they completely speak to what makes people human.
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My mum says that I was born 45, and I do remember at six thinking that I should be earning my own living.
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It’s a difficult thing when you try and make a film of a book that you really love. You have about two hours to tell the story, and it’s never going to be enough.
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You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me – which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn’t do it.
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A lot of times in cinema today the women are overly sentimental, so I constantly try to do the opposite. I like strident women.
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I think quite often when you have a hell of a lot more money and time, as you very much do on a big studio film, you don’t necessarily have to make the decisions right there. You can always goback and reshoot it.
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In film as a medium, you’re often given a baddie and a goodie and told what to think about them; it’s usually a very definite point of view.
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I think women’s bodies are a battleground and photography is partly to blame. Our society is so photographic now, it becomes more difficult to see all of those different varieties of shape.
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I enjoy doing an action scene. I’m not a purist as far as films go. If you want to do sex, great. As long as you do it well.
KEIRA KNIGHTLEY