I find it difficult to see the romance in digital.
KEIRA KNIGHTLEYI am a slow reader. I always loved words, which is a strange thing given that I couldn’t actually read them.
More Keira Knightley Quotes
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I’ve had my body manipulated so many different times for so many different reasons, whether it’s paparazzi photographers or for film posters.
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I see the world through my eyes. It’s sometimes a strange world.
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I think fashion is like putting on armor. I like that aspect of it, but it’s not something I want to think about every day.
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I don’t quite understand what Tolstoy’s actual personal view of Anna is – whether he likes her or hates her, whether she’s the heroine or the antiheroine.
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My mum says that I was born 45, and I do remember at six thinking that I should be earning my own living.
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It’s good to know that other people think differently, and that’s what makes the characters interesting.
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Half of my mum’s family is Welsh. I remember when I was a kid she used to read to me, and witches and wizards in books always had a Welsh accent, so I guess I took it from that really.
KEIRA KNIGHTLEY -
The whole point for me is to change as much as possible. If I’ve done one movie, I’ve done that, move on.
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I wish I was Sienna Miller. When I talk to her, I hope a bit of her party personality will rub off on me, but it never does.
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Because it does feel important to say it really doesn’t matter what shape you are.
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I’m doing a film now with a lot of guys as well, so at the end of that I will be growing a beard.
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I like to do the pictures before people get too self-conscious. I like to be spontaneous and get a shot before the subject thinks too much about it.
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Bigger films are more difficult because the number of people is so huge.
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I think women’s bodies are a battleground and photography is partly to blame. Our society is so photographic now, it becomes more difficult to see all of those different varieties of shape.
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In film as a medium, you’re often given a baddie and a goodie and told what to think about them; it’s usually a very definite point of view.
KEIRA KNIGHTLEY