I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
KAZUO ISHIGUROTo see the best before I have properly begun would be somewhat premature.
More Kazuo Ishiguro Quotes
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You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
KAZUO ISHIGURO -
I’ve always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
KAZUO ISHIGURO -
It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
KAZUO ISHIGURO -
You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
KAZUO ISHIGURO -
Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
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One is not struck by the truth until prompted quite accidentally by some external event.
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There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
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All children have to be deceived if they are to grow up without trauma.
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
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If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
KAZUO ISHIGURO